This season, baritone Weston Hurt makes his role debut as the title role Nabucco at Seattle Opera, makes his debut with New Orleans Opera as Germont in La Traviata, makes his house and role debut with Houston Grand Opera as Scarpia in Tosca, debuts Iago in Otello with Boston Youth Symphony Orchestras, and returns to Seattle Opera in another role debut as Talbot in Maria Stuarda.
Recent opera engagements have included Renato in Un Ballo in Maschera with Boston Youth Symphony Orchestras, the title role of Rigoletto with PORT Opera and the Boston Youth Symphony Orchestras, Germont in La Traviata at the Seattle Opera, Boston Lyric Opera, and Atlanta Opera, Ford at the Seattle Opera, Portland Opera, and Virginia Opera; Sharpless at the Boston Lyric Opera, Lyric Opera of Kansas City, New York City Opera, the Atlanta Opera, and Opera Grand Rapids; Schaunard in La Bohéme at the Dallas Opera, Peter in Hansel and Gretel at the Portland Opera; Enrico at Portland Opera, the Arizona Opera and the Austin Lyric Opera; the Count in Le nozze di Figaro at the Michigan Opera Theater, Frank in Die Tote Stadt at the Dallas Opera, the New York City Opera, and with Odyssey Opera; Baldassare in L’Arlesiana with the Opera Orchestra of New York, and a performance of Der ferne Klang with the American Symphony Orchestra in Avery Fisher Hall.



Rigoletto Rigoletto

Hansel and Gretel Hansel and Gretel

La Traviata La Traviata

Falstaff Falstaff

Madama Butterfly Madama Butterfly

La Boheme La Boheme

Lucia di Lammermoor Lucia di Lammermoor

Maria Stuarda Maria Stuarda

Die Voegel Die Voegel

Le nozze di Figaro Le nozze di Figaro


Performance Reviews