"A key highlight of this production is the UK and ENO debut of American baritone Weston Hurt as Rigoletto. Renowned for his “golden” voice and magnetic stage presence, Hurt delivers a performance steeped in pathos and nuanced expression, promising a portrayal that blends vocal finesse with deep character insight." Italy News
Recent
Reviews
“Weston Hurt brought a gorgeous voice and stylistic refinement to the role of Giorgio Germont. He cut a distinguished figure in his Act 2 marathon, fully engaging with both Violetta and Alfredo, and I cannot recall hearing a more perfectly sung ‘Di Provenza’ anywhere. This was the sound of a classic Verdi baritone, burnished bronze and beautifully phrased, with a flawless cantabile line.” Opera Magazine
Read more reviews >
Between the
Notes Podcast
Between the Notes Podcast is where you can find friendly unfiltered banter between two best friends talking about our experiences on and off the stage!
Up Next…
Weston makes his exciting house debut as Sharpless in Puccini’s Madama Butterfly with Fort Worth Opera - rehearsals beginning in March with performances on April 10 and 12, 2026. Additionally, Weston will debut with the Reno Philharmonic as the baritone soloist in Orff’s Carmina Burana, with performances on April 17, 18, and 19, 2026. Returning to Provence, he looks forward to making his house debut with Utah Opera, once again in his signature role of Germont in La Traviata - rehearsals beginning in April with performances on May 9, 11, 13, 15, and 17 (m), 2026.
Stay tuned for more exciting announcements!
Embrace what
makes you Unique
Weston spoke with Seattle Opera about embracing what makes you unique – and how he chooses to lead by example.
Weston's
Story
Weston was recently interviewed as part of the HONY-inspired Humans of Seattle Opera series and featured by the Lucky Fin Project and Pretty Different.