Schedule

Hurt's ringing baritone in the first act provided a high point James McQuillen
OregonLive.com

The irreproachable Maria Zifchak, a pitch-perfect, sympathetic Gertrude, was entirely complementary to Weston Hurt's Peter, sung in a fervent, virile baritone. Adam Wasserman
Opera News

Peter (the father) was Weston Hurt, whose house filling baritone and slightly tipsy demeanor leant a heartiness to his performance that made it impossible not to like him instantly. Paul Padillo

Weston Hurt, who sang Peter, the father, was a presence even before he stepped on stage. He began his solo from off-stage, but his powerful baritone voice carried throughout the hall. Once on stage, I couldn't look away. He was expressive in voice and in body. His first drunken interaction with Maria Zifchak, who sang Gertrude, the mother, was so casual, funny, and callous, just the way a husband would converse with his wife after a few too many sips from the jug. Emily Parkhurst
Classical Voice of New England

...and has a strong Svengalian partner-in-connivance in American baritone Weston Hurt’s stately and sinister Lord Cecil. Ken Winters
The Globe and Mail